片名:《愛(ài)欲夜知味》

類型:動(dòng)作片

上映時(shí)間:1992

上映地區(qū):美國(guó)

導(dǎo)演:比爾·杜克

主演:勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯

集數(shù): 更新至0集

語(yǔ)言:英語(yǔ)

【同輝影院】分享動(dòng)作片愛(ài)欲夜知味全集在線免費(fèi)觀看高清720P播放地址，愛(ài)欲夜知味講述了一個(gè)普通而不平凡的故事，由愛(ài)欲夜知味的演員勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯實(shí)力演繹，不管是微表情還是表演動(dòng)作上，把角色都塑造得非常成功，每個(gè)角色都有自己鮮明的個(gè)性，讓觀眾們能夠更好地融入到劇情之中。愛(ài)欲夜知味是1992年上映，非常好看的電影。

《愛(ài)欲夜知味》觀后點(diǎn)評(píng)：電影愛(ài)欲夜知味真是太好看了！愛(ài)欲夜知味劇情緊湊扣人心弦，每一個(gè)轉(zhuǎn)折都讓人捧腹大笑，同時(shí)又讓人熱淚盈眶；愛(ài)欲夜知味的音樂(lè)選材旋律優(yōu)美，不僅完美地融入到劇情當(dāng)中，還增加了動(dòng)作片愛(ài)欲夜知味的劇情氛圍，絕對(duì)值得一看。

《愛(ài)欲夜知味》抖音網(wǎng)友點(diǎn)評(píng)：愛(ài)欲夜知味的臺(tái)詞設(shè)計(jì)非常精彩，讓觀眾印象深刻；愛(ài)欲夜知味的演員勞倫斯·菲什伯恩,杰夫·高布倫,查爾斯·馬丁·史密斯個(gè)個(gè)演技精湛，從對(duì)劇情的精準(zhǔn)把握到表情和動(dòng)作的發(fā)揮上，都契合了愛(ài)欲夜知味的故事主題，既滿足了觀眾們對(duì)于劇情的期待，又給人留下了思考的空間。是1992年值得一看的電影。

愛(ài)欲夜知味講述了：Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.